類山水No. 44：島之春 THEY Shanshui No. 44, 2015
彩墨‧灑金淨皮宣
Color and ink on sprinkle gold-leaf Chinese handmade paper
Color and ink on sprinkle gold-leaf Chinese handmade paper
66 x 132 cm
Copyright The Artist
Yuan Hui-Li (b. 1963) considers tradition as the fountainhead of her artistic expression, but also as an object of reflection. Her practice stretches across diverse media, from varying two-dimensional mediums,...
Yuan Hui-Li (b. 1963) considers tradition as the
fountainhead of her artistic expression, but also as an object of reflection.
Her practice stretches across diverse media, from varying two-dimensional
mediums, to three-dimensional installation, to digital imagery, through which
she attempts to rejuvenate the existing aesthetics vocabulary of form and
meaning, and to offer a new perspective on what may have been neglected in the
broader art-historical narrative. “THEY Shanshui”, where she
creates a world of hybridity and juxtaposed dissimilitude; digitally
altered “THEY Shanshui”, where a composite of “THEY
Shanshui” and an ancient classical masterpiece upturns the
conventional context and structure of traditional ink painting; and More
Is Less, where her approach to the accumulated ink method conjures
temporality.
fountainhead of her artistic expression, but also as an object of reflection.
Her practice stretches across diverse media, from varying two-dimensional
mediums, to three-dimensional installation, to digital imagery, through which
she attempts to rejuvenate the existing aesthetics vocabulary of form and
meaning, and to offer a new perspective on what may have been neglected in the
broader art-historical narrative. “THEY Shanshui”, where she
creates a world of hybridity and juxtaposed dissimilitude; digitally
altered “THEY Shanshui”, where a composite of “THEY
Shanshui” and an ancient classical masterpiece upturns the
conventional context and structure of traditional ink painting; and More
Is Less, where her approach to the accumulated ink method conjures
temporality.