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Beyond Gallery | Unboxing-May the Force be with You | Ava Hsueh

Ava Hsueh Curator: KAO Chien-Hui Artists: Ava HSUEH, Juin SHIEH, CHEN Hui-Chiao, LIU Shih-Fen, HUANG Hsiao-Yen, HSU Su-Chen, WU Yun-Feng In our... Continue

Yao Jui-Chung: Invidia

Yao Jui-Chung Yao Jui-Chung: Invidia Exhibition Dates│08.05.2023–09.23.2023 Reception｜08.05.2023 (Sat.) 4:30 p.m. Venue │ Tina Keng Gallery (1F, No. 15, Ln. 548, Ruiguang... Continue

Po-Chun Liu: Field of the Unknown

Po-Chun Liu Po-Chun Liu: Field of the Unknown Exhibition Dates│06.10.2023–07.29.2023 Reception｜06.10.2023 (Sat.) 4:30 p.m. Venue │ Tina Keng Gallery (1F, No. 15,... Continue

Su Xiaobai: Blue

Su Xiaobai As 2022 draws to a close, Su Xiaobai’s blue palette comes to mind amidst the turmoil of the world. Out... Continue

Mementos: 2022 Yang Mao-Lin Solo Exhibition

Yang Mao-Lin The life of the fool is marked by ingratitude and apprehension; the drift of his thought is exclusively toward the... Continue

Wu Tien-chang | Art Echo, Mirror TV

WU TIEN-CHANG Solo Exhibition 吳天章是台灣當代藝術中極具代表性的一位，兩度代表台灣參加義大利威尼斯雙年展，他以政治和歷史為主題，被譽為台灣藝壇解嚴第一人。1990 年代，以攝影複合媒材開啟「台客美學」；2000 年以電腦修圖及合成技術，以「安排式攝影」進行創作；2010 年更轉型至錄像藝術，以「一鏡到底」的拍攝和剪輯，呈現詭異的錄像風格。 本片由吳天章於2020年底創作中的「港口情歌」現場切入，帶出他的創作脈絡與工作態度，並回到影響他至深的故鄉基隆實地拍攝；而「潮汐1884」是首次回到基隆故鄉的個展，這件與海岸相關的投影裝置，也與他兒時的土地記憶息息相關。 Continue

Ava Hsueh | Art Echo, Mirror TV

AVA HSUEH Solo Exhibition 薛保瑕長期以來選擇用抽象語彙做為藝術創作的表現形式，作品主要以冷熱兩種抽象符號表現現實的混合性，並因應時代演化進行當代抽象藝術特質的探討。本片以藝術家的個人經歷和藝術創作為主軸，從2020年的個展「如影隨行」為例，介紹分析她近期的創作。除了觀察藝術家的生活現場、生命故事、藝術養成外，也走進她的工作室，近距離目擊其大尺幅繪畫的過程。此外，亦前往她於1990年代主持創立的南藝大造型藝術研究所和校園空間，記錄她與學生的評圖互動，呈現其藝術家之外，涵蓋藝術行政、學者、教育家等多元的身份。 Continue

Before He Starts – Online Screening & Talk

Zhang Hongtu Solo Exhibition November 27, 2021 Before He Starts (2018), a concise documentary profiling of artist Zhang Hongtu, reveals his initial impulse in making art after... Continue

Equanimity

Jason Chi Solo Exhibition October 2, 2021 Continue

Self-exoticism

Su Meng-Hung Solo Exhibition May 8, 2021 大學時期的蘇孟鴻總耳濡在「西學為體，中學為用」或「台灣美術本土化」的論戰中，這便是開啟了蘇孟鴻在個人身份脈絡中汲取文化元素與西方藝術教育經驗兩相結合的創作之路。 蘇孟鴻以絹印製版的創作手法轉化兒時在美術班臨摹水墨畫的學習經驗，將清代宮廷畫家朗世寧的作品與《芥子園畫譜》中的山水圖像，作為作品畫面中的素材。同時結合螺鈿、漆器與漆藝等民間工法，以及皇宮貴族品味中的掐絲、珐瑯質感的傳統工藝技術，來重新演繹繪畫這件事情。 展覽當中，作品《有透視的風景之一》（View With Perspective 1）、《有透視的風景之二》（View With Perspective 2）便是以批量生產的西式油畫風景與《芥子園畫譜》山水畫圖像兩者的並呈，直指藝術家蘇孟鴻對於中西方繪畫中制式化景象的觀察態度與回應。 對蘇孟鴻來說，藉此具批判性、實驗性的繪畫方式，他得到了某種衝擊與創作的快感。其獨具風格的創作手法，在詮釋「異國情調」、「己國」與「異己」的同時，也為觀者開拓了另一種角度重新思考什麼是「我」以及「我們的文化」。 Continue

Peng Wei: Feminine Space

Peng Wei solo exhibition December 5, 2020 Continue

One and the Other: 2020 Solo Exhibition of Ava Hsueh

Ava Hsueh solo exhibition November 17, 2020 Continue

Curator's Guide

Beneath a descending moon, breathing: The Paintings of Su Xiaobai December 7, 2019 Continue

Artist & Curator in Conversation

Beneath a descending moon, breathing: The Paintings of Su Xiaobai December 7, 2019 Continue

And there's nothing I can do

Su Xiaobai Solo Exhibition October 12, 2018 Continue

Van Gogh / Bodhidharma

Zhang Hongtu Solo Exhibition June 16, 2018 Continue

Sanyu’s Hidden Blossoms: Through the Eyes of a Dandy

SANYU’S HIDDEN BLOSSOMS: THROUGH THE EYES OF A DANDY March 31, 2018 Continue

Artists’ Perspective| Through the Eyes of Chen, Ching-Yuan

Sanyu’s Hidden Blossoms: Through the Eyes of a Dandy March 21, 2018 Continue

Artists’ Perspective| Through the Eyes of Yao Jui-Chung

Sanyu’s Hidden Blossoms: Through the Eyes of a Dandy March 17, 2018 Continue

Artists’ Perspective| Through the Eyes of LIN JU

Sanyu’s Hidden Blossoms: Through the Eyes of a Dandy March 14, 2018 Continue

YANG MAO-LIN: A Retrospective

YANG MAO-LIN Solo Exhibition in Taipei Fine Arts Museum January 30, 2016 Yang Mao Lin (1953– ) rose in the art world during Taiwan's turbulent 1980s. In his early work, he broke... Continue

Wu Tien-chang : Never say Goodbye / La Biennale di Venezia

Wu Tien-chang solo exhibition in the Palazzo delle Prigioni Venice Italy May 9, 2015 With an eye to the nature of the exhibition venue Palazzo delle Prigioni as a former prison, this year's Taiwan... Continue